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Clients It all started back in 1999. I had been trying to start a new company in the music business which would have included a demo recording studio, some rehearsal studios, and CD duplication... a little bit of everything. While I was researching some CD duplication companies, I had contacted a local company called ON4 Productions to get some pricing information from them. After getting the information I needed, I held on to their number so that I could contact them at a later date and work up some business between ON4 and my new business (once it was up and running). After a year of trying to find a reliable business partner and hitting one dead-end after another, I was getting nowhere fast and I decided to put the whole idea on hold. I had contacted the primary owner of ON4 to let him know that I was putting my plans on the backburner for a bit, but the phone call had taken a turn... a good turn. We started to discuss the possibility of me getting on board as a sales rep for ON4, and within a month, I was brought in as the new Sales Manager. Due to the fact that I had been in the music business for several years prior, I had a lot of contacts in the industry, which enabled me to hit the ground running and immediately bring in some business. Over the course of the next couple of years, ON4 saw a huge increase in business, mostly due to my previous connections in the industry as well as some connections that I had acquired through some major networking within the Atlanta and Nashville music communities. During this time, I had the privilege of working with some amazing unsigned bands and independent artists, and also worked with some of the biggest names in the music business. I would like to take this opportunity to mention a handful of them...
Everything was looking good for a while, but 9/11 came along. We didn't feel an immediate impact in business immediately after 9/11, but the ripple effect finally hit us about a year or so later. Business began to slide and it seemed as if there was nothing we could do to stop it. The economy had basically experienced a year-long nosedive, and people weren't so eager to place CD orders like before. We were trying everything we could think of to keep business up, but nobody was biting. In 2003, I was trying to figure out a way to get our business on the upswing again, and I came up with the idea to start an online music community which could be used to cross-promote with ON4. The side business was going to be owned and operated by me, hopefully resulting in a better bottom-line for ON4's clients as well as ON4. After thinking about what could best serve the clients at ON4, the concept I ultimately decided on was a promotional website for bands where they can upload their music, pictures, a bio, etc. I started to do some research and found out that I wasn't the only person to come up with this idea. As it turns out, there were several websites that had a similar business model (MySpace was just a blip on the radar at this point) and they basically offered the same thing I was going to offer. But I thought that it was still a good idea, and bands can never get enough promotion, so I decided to go forward with the concept. Second Encore Promotions was created. I hired a local web company to build the site from scratch, which was to include features such as artist profiles, a Featured Artist section, a Spotlight section, and an interactive voting system. I wanted it to stand out from the rest of the promotional websites out there, and I felt like I was on the right track, but it was going to take a while to build it the way it needed to be built. During the months it took to build the site, ON4's overall business continued to drop due to the sluggish economy and fierce competition, so the owners at ON4 decided to merge with another replication company, which was somewhat of a "sister" company to us. The problem I had about this merger (I had no control in their ridiculous decision...) was that the new owners of ON4 couldn't have cared less about the independent music scene and didn't support the music community like ON4 had always done. The new powers-that-be were more interested in corporate accounts rather than local bands, and from that point on, I realized that it wasn't a good fit for me anymore. There's nothing wrong with going for the bigger guns, but that's not why I got into this business. In one way or another, I had been involved with the independent music scene for nearly fifteen years, and I wasn't about to give that up anytime soon. So from that point on, I focused more on Second Encore to continue to stay involved in the independent music community. Second Encore Promotions' website finally launched in April 2004, and it was off to a great start. I was getting thousands of hits every day and bands were signing up left and right. I was getting great feedback from the bands on the site as well as their fans, family, and friends. Things were looking good again. But by the beginning of 2005, I noticed that bands weren't signing up to the site like they used to, due in part to MySpace (which was basically nothing when I launched my site). I still had a lot of features that MySpace didn't offer, but at the end of the day, MySpace's popularity was exploding and all I could do was hope that the bands out there would still use Second Encore as another avenue to promote themselves. I should also point out that ON4 was merely a memory at this point. As it turns out, the office in Atlanta had closed down, and the previous owners of ON4 (who had made the decision to merge in the first place) no longer worked for the new parent company. (Way to go, guys.) For the next year or so, I continued to watch MySpace's popularity grow substantially, and it was an uphill battle (to say the least) to compete with that popularity. So in late 2006, I decided that I needed to reinvent the wheel at Second Encore and come up with a new business model. Reluctantly, I went ahead and shut down the site so I could focus more on the future of Second Encore rather than deal with the day-to-day operations. I knew that I wanted to stay in the independent music scene, and I knew that I wanted to keep the Second Encore name, but I wasn't too sure what I was going to do yet. About a month or so later, it occured to me that even though I had been out of the CD replication business for nearly three years, I was still getting phone calls and emails from local bands asking for a recommendation as to where they can get there CDs pressed up. Due to the fact that I was usually the guy at ON4 that did most of the networking, I guess people considered me the "face" of ON4 and CD replication, so maybe that's why they contacted me. Anyway, about two months of getting these types of "referral" calls, I was talking to Bill Chavis (owner of Chavis Records, who was a former client of mine at ON4), and it hit me like a ton of bricks to possibly get back into the replicaton business. I had the contacts, I knew the business inside and out, and Bill's immediate support of the idea (Thanks Bill!) got me thinking that it might be possible (and maybe even a great idea) to get back into the CD business, so I looked into it. But to be competitive, I was going to have to find some vendors with extremely low prices and the best quality available. Fortunately for me (and for Second Encore clients), I was not only able to negotiate incredible prices through my vendors, but all of my CDs and DVDs were also going to be replicated through Sony. It doesn't get much better than that, so I immediately built a new website and changed the name from Second Encore Promotions to Second Encore Productions. In late 2006, I officially re-launched Second Encore as a CD replication/band merchandise company, and I began to spread the word that I was back in in the replication business again. In just a few short months, we have been able to get involved with some sponsorships and work with some very cool clients, some of which are listed here...
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